Pagine

25.2.11

DOWN THE ROAD - 1



Lunga ed interessante prima parte.  


Bruce Frederick Joseph Springsteen was born in Freehold, New Jersey, September 23, 1949, the firstborn of Douglas and Adele Springsteen, who would go on to have two other children, Virginia, a year younger than Bruce, and Pamela, thirteen years his junior. The name Springsteen is Dutch, although Douglas Springsteen is solid Irish and Adele, Italian. Contrary to popular belief, there is no Jewish blood in the mix, commonly thought to be so due to the family's surname.
Both Bruce's parents were, in fact, Catholic. Springsteen attended St. Rose of Lima Catholic grade school. It's likely most of the stories about his run-ins with the nuns, either being slapped by them or by other students at their instructions, are true. What is perhaps more important are the abstract rewards Catholicism gave to Springsteen's nascent artistic personality that would one day find expression in a lyrical form based on the confessional.
The early shyness that led to Bruce's self-imposed isolation as a youngster was likely due, at least in part, to his father's inability to hold a steady job. The family was therefore forced to move around the perimeter of central New Jersey, in and out of Asbury Park, Neptune, Atlantic Highlands, and Freehold (where Douglas Springsteen had spent much of his childhood).

20.2.11

DOWN THE ROAD - INTRODUCTION



In many ways, not all of them immediately apparent, Mike Appel was to Bruce Springsteen what Colonel Tom Parker was to Elvis Presley, and what Albert Grossman was to Bob Dylan. All three managers, Parker, Grossman, and Appel, shared the ability to recognise the raw talent of their clients before anyone else and had the savvy to exploit it to maximum commercial potential. With an extraordinary dose of good fortune, providence, prophecy, or perception, each happened upon one of the three most influential talents in the history of rock and roll.

All three artists—the "King," the "Poet," and the "Boss"— functioned under similar creative paradoxes. While helping to liberate the youth of their respective decades from the restrictions of their elders, they remained unable to free themselves from the clutches of their own idealised manager/daddies. Elvis's expressive individualism showed itself first and most forcefully in his appearance: the dress, stance, hair, and moves so different from those of anyone before him (and some might argue since). It didn't really matter that he couldn't play the guitar all that well, or that he could sing better than anyone else —at first, Elvis's look was enough to reject the image of Brando's then-predominant bruiser type and help establish the pretty-boy vernacular of the teenage fifties.

14.2.11

MEETING ACROSS THE RIVER 26.09.1975


Bel bootleg di Springsteen del 26 settembre 1975 in pieno tour di  Born to run:

01 Meeting across The river
02 10th avenue freeze-out
03 Spirit in the night
04 It's gonna work out fine

10.2.11

COLUMBUS 05.09.1978



La scaletta della serata:


01 Summertime Blues
02 Badlands
03 Streets of fire
04 Spirit in the night
05 Darkness on the edge of town
06 It's my life
07 Factory
08 The promised land
09 Prove it all night [With long guitar intro]
10 Racing in the street
11 Thunder road
12 Jungleland
13 Sherry darling
14 Candy's room
15 Not fade away
16 She's the one
17 Growin' up
18 Backstreets
19 Rosalita (Come out tonight)
20 Born to run
21 Because the night
22 Quarter to three

8.2.11

DEVILS & DUST




I got my finger on the trigger
But I don't know who to trust
When I look into your eyes
There's just devils and dust
We're a long, long way from home, Bobbie
Home's a long, long way from us
I feel a dirty wind blowing
Devils and dust

I got God on my side
I'm just trying to survive
What if what you do to survive
Kills the things you love
Fear's a powerful thing
It can turn your heart black you can trust
It'll take your God filled soul
And fill it with devils and dust

Well I dreamed of you last night
In a field of blood and stone
The blood began to dry
The smell began to rise
Well I dreamed of you last night
In a field of mud and bone
Your blood began to dry
The smell began to rise

We've got God on our side
We're just trying to survive
What if what you do to survive
Kills the things you love
Fear's a powerful thing
It'll turn your heart black you can trust
It'll take your God filled soul
Fill it with devils and dust

Now every woman and every man
They want to take a righteous stand
Find the love that God wills
And the faith that He commands
I've got my finger on the trigger
And tonight faith just ain't enough
When I look inside my heart
There's just devils and dust

Well I've got God on my side
And I'm just trying to survive
What if what you do to survive
Kills the things you love
Fear's a dangerous thing
It can turn your heart black you can trust
It'll take your God filled soul
Fill it with devils and dust

It'll take your God filled soul

Fill it with devils and dust


Copyright © Bruce Springsteen (ASCAP)

4.2.11

BRUCE SPRINGSTEEN: A CONVERSATION WITH HIS FANS

Fonte: Bruce Springsteen.net


BRUCE SPRINGSTEEN: A CONVERSATION WITH HIS FANS will premiere on VH1 Classic on Friday at 9:00PM

Bruce Springsteen: A Conversation With His Fans is a 30 minute TV program, where fans ask Bruce thought-provoking questions in an intimate studio setting. Bruce discusses the music of Darkness on the Edge of Town and his new album The Promise, in this special broadcast hosted by music critic Dave Marsh. Fan questions are intercut with highlights from the box set, The Promise documentary, the Paramount Theater concert, the 2010 Songs From The Promise concert and rare archival footage from 1978.
BRUCE SPRINGSTEEN'S RECENT ACTIVITIES
Bruce appears on a track on the new Dropkick Murphys album,Going Out In Style. He and Ken Casey trade verses on the 1913 family parlour favorite "Peg O' My Heart," previously recorded by the likes of Dean Martin, Al Jolson, Lester Young, and Buddy Clark. Rolling Stone's Andy Greene
spoke to Ken about the collaboration; read the article, which includes a great feature on Bruce's collaborations with seventeen artists over the years.

For the past few years, Bruce has performed on behalf of Monmouth County's Ranney School, and this year's set at the Stone Pony was, by all accounts, a remarkable event. His three hour set, backed by Bobby Bandiera's band and Max Weinberg, spanned his entire songwriting career, from "Growin' Up" to "My Lucky Day." A number of guests participated, including Southside Johnny, Danny Clinch, Ron Aniello, Bruce's mom Adele, and a couple of Ranney School teachers. Check outBackstreets' coverage, with eyewitness coverage by Stan Goldstein.

On January 15, Bruce contributed to an amazing night of music on behalf of the Light of Day Foundation, at the Paramount Theatre in Asbury Park. As he has often done in the past, Bruce sat in with Joe Grushecky and the Houserockers, but also participated in sets by Willie Nile, Jesse Malin, and Alejandro Escovedo. Check out Backstreets's detailed coverage with lots of photos and video (check out the acoustic "Your Own Worst Enemy," a connoisseur's favorite from Magic). Andy Greene was there too, reporting on behalf of Rolling Stone.

Find out more about Light of Day, and see some great photos, on its Facebook page.

Bruce collaborated on a track called "Better Things" on the new Ray Davies album 'See My Friends' in which Ray reinterprets old Kinks classics. On this one of a kind album, Ray collaborates with an amazing selection of artists on tracks from his incredible songwriting career, revisiting his back catalogue and crafting new versions of his classic songs. Everyone from Bruce Springsteen, Jon Bon Jovi to Metallica features on this diverse collection of material.